Written as a three-act play, the text stops and restarts itself. The narrative structure is dismantled while also driving the story forward.The play opens on the tourist beach of Port-au-Pleasure. The Doctor looks for a way off the island and a perfect object. A chorus of animals offer a small reassurance. Ways of knowing and not knowing surface and submerge.
Written as a three-act play, the text stops and restarts itself. The narrative structure is dismantled while also driving the story forward.The play o...
Shoot to Sell is a step-by-step, do-it-yourself guide for successfully producing, selling and marketing videos without a huge financial investment for anyone who has an idea or expertise that they want to showcase in video. Learn how to successfully create and market videos for carefully researched niche markets, for long-term residual income.
Shoot to Sell is a step-by-step, do-it-yourself guide for successfully producing, selling and marketing videos without a huge financial in...
How does South Africa deal with public art from its years of colonialism and apartheid? How do new monuments address fraught histories and commemorate heroes of the struggle? Across South Africa, statues commemorating figures such as Cecil Rhodes have provoked heated protests, while new works commemorating icons of the liberation struggle have also sometimes proved contentious. In this lively volume, Kim Miller, Brenda Schmahmann and an international group of contributors explore how works in the public domain in South Africaserve as a forum in which importantdebates about race, gender,...
How does South Africa deal with public art from its years of colonialism and apartheid? How do new monuments address fraught histories and commemor...
How does South Africa deal with public art from its years of colonialism and apartheid? How do new monuments address fraught histories and commemorate heroes of the struggle? Across South Africa, statues commemorating figures such as Cecil Rhodes have provoked heated protests, while new works commemorating icons of the liberation struggle have also sometimes proved contentious. In this lively volume, Kim Miller, Brenda Schmahmann and an international group of contributors explore how works in the public domain in South Africaserve as a forum in which importantdebates about race, gender,...
How does South Africa deal with public art from its years of colonialism and apartheid? How do new monuments address fraught histories and commemor...